{"id":592,"date":"2026-04-16T15:41:52","date_gmt":"2026-04-16T13:41:52","guid":{"rendered":"https:\/\/jingdezhen2026.aic-iac.org\/?page_id=592"},"modified":"2026-04-24T10:27:33","modified_gmt":"2026-04-24T08:27:33","slug":"","status":"publish","type":"page","link":"https:\/\/jingdezhen2026.aic-iac.org\/zh\/congress-satellite-exhibitions\/","title":{"rendered":"","raw":""},"content":{"rendered":"","protected":false,"raw":""},"excerpt":{"rendered":"","protected":false,"raw":""},"author":2192,"featured_media":593,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_en_post_content":"\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n[caption id=\"attachment_593\" align=\"alignnone\" width=\"2560\"]\"\" Changnali Toy Town[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
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CONGRESS SATELLITE EXHIBITIONS<\/h3>\r\nThese exhibitions have been selected by the Congress Programme Committee as part of the official Satellite Exhibition Programme. They will be included in the Congress\u2019 official visits and will mostly take place at the Jingdezhen Grand Bowl - Global Contemporary Art Center.\u00a0<\/td>\r\n<\/tr>\r\n

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* Please note that the information on this page is subject to modifications and updates.<\/span><\/p>\r\n

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ONTOLOGIES OF TOUCH - OCEANIA MEMBERS OF THE IAC<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

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| 27.06.2026 - 02.07.2026 |<\/p>\r\n

Curator: Avi Amesbury<\/p>\r\n

'Ontologies of Touch' explores the idea that knowledge, identity, and meaning emerge not solely through language or representation, but through tactile, material engagement with the world.<\/p>\r\n

Clay - earthbound, elemental, responsive - becomes more than a medium; it is a thinking partner, a surface of encounter, and a site of resistance and resonance. Each work is a record of embodied negotiation, a moment where matter and maker are mutually transformed. Through touch, gesture, and process, the artists engage with clay as a vibrant actor in its own right\u2014pressing, collapsing, hardening, cracking, holding memory, and defying certainty.<\/p>\r\n

This exhibition proposes that to touch is to know\u2014and that clay, in its mutable vitality, offers a unique ontology: one that is not fixed, but fluid; not imposed, but discovered through relational practice.<\/p>\r\n

'Ontologies of Touch' invites viewers into an intimate encounter with works that bear the marks of both intention and surrender, control and collaboration\u2014reminding us that matter is never mute, and that the hand is always in dialogue with what it shapes.<\/p>\r\n

Featuring the artwork of Amesbury Avi, Bamford Jane, Barker Andrea, Barron Rob, Bartholomew Julie, Daly Greg, Deboos Janet, Franzi Cathy, Fraser Simone, Hay Graham, Jones Ian, Kerr Bernard, Li Ruth Ju-shih , McKenna Moraig, Renker Elena, Sawyer Jane, Smith Leonard, Venables Prue, Walk Sally<\/p>\r\n<\/td>\r\n

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Jingdezhen Grand Bowl - Global Contemporary Art Center
China<\/p>\r\n[caption id=\"attachment_90740\" align=\"alignnone\" width=\"1706\"]\"\" Anemone Series by Simone Fraser (2025)[\/caption]\r\n<\/td>\r\n<\/tr>\r\n

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POSTCARDS FROM THE MONSOON BELT - SOUTHEAST ASIA AND INDIA IAC MEMBERS<\/span><\/h3>\r\n<\/td>\r\n<\/tr>\r\n

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| 27.06.2026 - 02.07.2026 |<\/p>\r\n

Curators: Adil Writer and Pim Sudhikam<\/p>\r\n

In an age of instant images, the postcard endures through its slowness... handled, stamped, carried, arrived; bearing fingerprints of elsewhere.
More than half the world\u2019s people have organised their lives around the monsoon. We have planted by it, prayed for it, grieved its lateness and celebrated its return. It is not merely meteorological. It is a shared cultural consciousness.
We, the artists of the monsoon belt, come from many countries and many traditions. Our languages differ. Our gods wear different faces. Yet we share this sky.
Clay, too, is a creature of water; without it, formless and inert. The potter who works the wheel understands what the farmer knows watching the sky: everything depends on the right moisture at the right moment.
More than twenty-five artists now travel to Jingdezhen, carrying objects as evidence. Each piece a metaphoric postcard. Each postcard a form of belonging; not to one nation, but to a season.<\/p>\r\n

Featuring the artwork of Bhadoriya Ajaysingh, Bhatt Falguni, Cheong Thomas, Chowdhury Sarban, Chowdhury \u2060Srinia, Dalal \u2060Khanjan, Dam Shalini, Daroz Vinod, Das Gupta Sharbani, Gawand Pullarwar Neha, Hassan Muhammad, Huey Ling Teo, Jain Rashi, Jhunjhunwala \u2060Ruby, Jirachaisakul Mo, Khanna \u2060Anjani, Lim Jason, Lim Nelson, Lu Ken, Madhur Sen, Manchekar Sandeep, Salvi Shayonti, Semachai Chanakarn, Sereda Saraswati, Sinha Antra, Subhramanian Madhvi, Sudhikam Pim, Sundaravalli Sudharsan Priya, Writer Adil, Yu Nwe Soe<\/p>\r\n

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Jingdezhen Grand Bowl - Global Contemporary Art Center
China<\/p>\r\n[caption id=\"attachment_651\" align=\"alignnone\" width=\"1920\"]\"\" Signed, Smudged, Delivered by Adil Writer (2026)[\/caption]\r\n<\/td>\r\n<\/tr>\r\n

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THROW OUT BRICKS TO ATTRACT JADE - WORLD CERAMIC FROM MINIATURES TO UNESCO CULTURAL HERITAGES<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

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| 27.06.2026 - 02.07.2026 |<\/p>\r\n

Curator : Guangzhen Zhou<\/p>\r\n

This exhibition is a celebration of ceramic heritage on a global scale, uniting two distinct yet complementary forms of cultural documentation. At its heart is an extraordinary philatelic project by a diverse group of IAC members: a proposed UNESCO Memory of the World collection titled \"Global Ceramic Heritage Stamps.\" This archive of thousands stamps from more than 180 countries and regions tells the story of ceramics through the miniature art of the postage stamp.<\/p>\r\n

To bring this narrative to life in three dimensions, we have paired these stamps with actual ceramic pieces sourced recognized by UNESCO for their Intangible Cultural Heritage from ten or eleven countries, they are Chile, China, Mexico, Peru, Portugal, Spain, Tunisia, Turkey, Romania, Ukraine and Uzbekistan. We invite you to explore this unique confluence of art and history, and to join us in honoring the timeless craft that connects us all.<\/p>\r\n<\/td>\r\n

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Jingdezhen Grand Bowl - Global Contemporary Art Center
China<\/p>\r\n

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LATIN AMERICA: TERRITORY AND CERAMICS - LATIN AMERICA AND CARIBBEAN IAC MEMBERS<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

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| 27.06.2026 - 02.07.2026 |<\/p>\r\n

Latin America and the Caribbean present in Jingdezhen a reflection on how geography profoundly shapes our ceramic practices. This vast territory, of deserts, jungles, mountain ranges, and coastlines, not only defines landscapes, but also the people and their ways of inhabiting, perceiving, and creating.<\/p>\r\n

The works emerge from an intimate relationship with their environment. Clays, pigments, and minerals, specific to each territory, shape both the technical processes and formal decisions. Thus, surfaces, colors, forms, and structures evoke the geographical configuration, biodiversity, and the power of the landscape, where nature acts as an active agent.<\/p>\r\n

Added to this is a rich cultural heritage: pre-Hispanic traditions engage in dialogue with colonial and contemporary influences, giving rise to hybrid languages and characters. Each country constructs its identity through this convergence.<\/p>\r\n

The exhibition proposes a journey through this diversity: a constellation of voices in which territory, memory, and culture are transformed into material and narrative.<\/p>\r\nFeaturing the artwork of Acosta Paula, Auger Fanny, Baertl Paola, Bortolin\u00a0 Rosana, Bravo B\u00e1rbara, Cervantes Roxana, C\u00e9spedes Sonia, Diehl Viviane, Dillon Ver\u00f3nica, Dychter\u00a0 Elizabeth, Garrett Karina, Le\u00f3n Patricia, Macher Karen, Mar\u00edn Tere, Martos Patricia, Maturana Pilar, Mu\u00f1oz Jacinto, Pollo Varela Mar\u00eda In\u00e9s, Rodr\u00edguez Marina, Ruiz-Tagle Keka, Ruz Viviana, Salinas Macarena, Schapiro Jacqueline, Spijkstra Ellen, Tarela\u00a0 Mariel, Torres Paloma, Valls Urquijo Estefan\u00eda, V\u00e9lez Puerta Jos\u00e9 Ignacio, Vial Catalina, Villaverde Vilma, Wieland\u00a0 Mariana, Wijnants Javier<\/td>\r\n

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Jingdezhen Grand Bowl - Global Contemporary Art Center
China<\/p>\r\n[caption id=\"attachment_90948\" align=\"alignnone\" width=\"1044\"]\"\" Evolution by Keka Ruiz Tagle (2019)[\/caption]\r\n<\/td>\r\n<\/tr>\r\n

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BREAKING THROUGH THE EARTH EXHIBITION<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

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| 01.07.2026 - 31.10.2026 |<\/p>\r\n

Curator : Jiang Yanze<\/p>\r\n

The exhibition is jointly organized by the School of Architecture, Southeast University (SEU), and Longquan Wang'ou Art Center. It\u00a0takes \"clay,\" a fundamental material essential to our existence, as a connecting point for reflection. It shows ceramic art in architecture, ceramic sculptures and installations in public spaces, as well as the artistic application of ceramic materials by architects and the unique charm of rammed earth architecture, presenting a grander narrative about clay.<\/p>\r\n

The exhibition is divided into four sections. The exhibits encompass ceramic artworks, architectural ceramic components, photographic archives, and videos, systematically presenting research on clay materials within the context of architectural and landscape art, experiments in ceramic techniques, design innovations, and artistic creations. It highlights the collaborative efforts among ceramic artisans\/craftsman, ceramic artists, and architects.<\/p>\r\n

Featuring the arwork of a student team from SEU, Bao Wei, Chen Guanghui, Guo Aihe, Guo Jiaqi, Huang Ke, Qu Jin, Tan Hongyu, Wei Hua, Xu Chaoqi, Yuan Zhen, Yue Lizhi, Zhang Min, Zhi Min, Zhu Legeng<\/p>\r\n

And Aylieff Felicity, Harrison Robert, Higby Wayne, Kaufmann Jacques, Kvasb\u00f8 Torbj\u00f8rn, Lislerud Ole, Mestre Estelles Enric, Munemi Yorigami, Seunghee Lee, Suffren Gilles<\/p>\r\n<\/td>\r\n

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Ceramic Art Valley Art Gallery in Longquan
China<\/p>\r\n[caption id=\"attachment_90783\" align=\"alignnone\" width=\"516\"]\"\" Ceramic Mural by Zhu Legeng[\/caption]\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>","_en_post_name":"congress-satellite-exhibitions","_en_post_excerpt":"In addition to several IAC Members' Exhibition, the hosts are pleased to present a number of regional and thematic group exhibitions. ","_en_post_title":"Congress Satellite Exhibitions","_fr_post_content":"\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n[caption id=\"attachment_593\" align=\"alignnone\" width=\"2560\"]\"\" Changnali Toy Town[\/caption]\r\n<\/td>\r\n<\/tr>\r\n
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EXPOSITIONS SATELLITES DU CONGR\u00c8S<\/h3>\r\nCes expositions ont \u00e9t\u00e9 s\u00e9lectionn\u00e9es par le comit\u00e9 de programmation du Congr\u00e8s dans le cadre du programme officiel des expositions satellites. Elles feront partie des visites officielles du Congr\u00e8s et se tiendront pour la plupart au Jingdezhen Grand Bowl - Centre mondial d'art contemporain.<\/td>\r\n<\/tr>\r\n

* Veuillez noter que les informations figurant sur cette page sont susceptibles d'\u00eatre modifi\u00e9es et mises \u00e0 jour.<\/span>\r\n

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\"ONTOLOGIES OF TOUCH\" - MEMBRES D'OC\u00c9ANIE DE L'AIC<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

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| 27.06.2026 - 02.07.2026 |<\/p>\r\n

Curatrice: Avi Amesbury<\/p>\r\n

\u00ab Ontologies of Touch \u00bb explore l\u2019id\u00e9e selon laquelle la connaissance, l\u2019identit\u00e9 et le sens ne naissent pas uniquement du langage ou de la repr\u00e9sentation, mais aussi d\u2019un engagement tactile et mat\u00e9riel avec le monde.<\/p>\r\n

L\u2019argile \u2013 terreuse, \u00e9l\u00e9mentaire, r\u00e9ceptive \u2013 devient plus qu\u2019un simple support ; c\u2019est un partenaire de r\u00e9flexion, une surface de rencontre, ainsi qu\u2019un lieu de r\u00e9sistance et de r\u00e9sonance. Chaque \u0153uvre est le t\u00e9moignage d\u2019une n\u00e9gociation incarn\u00e9e, un moment o\u00f9 la mati\u00e8re et l\u2019artiste se transforment mutuellement. Par le toucher, le geste et le processus, les artistes interagissent avec l\u2019argile comme avec un acteur vivant \u00e0 part enti\u00e8re \u2014 pressant, s\u2019affaissant, durcissant, se fissurant, conservant la m\u00e9moire et d\u00e9fiant la certitude.<\/p>\r\n

Cette exposition avance que toucher, c\u2019est conna\u00eetre, et que l\u2019argile, dans sa vitalit\u00e9 changeante, offre une ontologie unique : une ontologie qui n\u2019est pas fig\u00e9e, mais fluide ; qui n\u2019est pas impos\u00e9e, mais d\u00e9couverte \u00e0 travers une pratique relationnelle.<\/p>\r\n

\u00ab Ontologies of Touch \u00bb invite les visiteurs \u00e0 une rencontre intime avec des \u0153uvres qui portent les marques \u00e0 la fois de l\u2019intention et de l\u2019abandon, du contr\u00f4le et de la collaboration \u2014 nous rappelant que la mati\u00e8re n\u2019est jamais muette, et que la main est toujours en dialogue avec ce qu\u2019elle fa\u00e7onne.<\/p>\r\n

Pr\u00e9sentant les \u0153uvres d'Amesbury Avi, Bamford Jane, Barker Andrea, Barron Rob, Bartholomew Julie, Daly Greg, Deboos Janet, Franzi Cathy, Fraser Simone, Hay Graham, Jones Ian, Kerr Bernard, Li Ruth Ju-shih , McKenna Moraig, Renker Elena, Sawyer Jane, Smith Leonard, Venables Prue, Walk Sally<\/p>\r\n<\/td>\r\n

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Jingdezhen Grand Bowl - Centre mondial d'art contemporain
Chine<\/p>\r\n[caption id=\"attachment_90740\" align=\"alignnone\" width=\"1706\"]\"\" Anemone Series par Simone Fraser (2025)[\/caption]\r\n<\/td>\r\n<\/tr>\r\n

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CARTES POSTALES DE LA CEINTURE DE LA MOUSSON - MEMBRES D'ASIE DU SUD-EST ET D'INDE DE L'AIC<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

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| 27.06.2026 - 02.07.2026 |<\/p>\r\n

Curateur.rice.s : Adil Writer and Pim Sudhikam<\/p>\r\n

\u00c0 l\u2019\u00e8re de l\u2019image instantan\u00e9e, la carte postale perdure gr\u00e2ce \u00e0 sa lenteur\u2026 manipul\u00e9e, affranchie, transport\u00e9e, livr\u00e9e ; elle porte les empreintes d\u2019ailleurs.
Plus de la moiti\u00e9 de la population mondiale a organis\u00e9 sa vie en fonction de la mousson. Nous avons sem\u00e9 au rythme de la mousson, pri\u00e9 pour elle, d\u00e9plor\u00e9 son retard et c\u00e9l\u00e9br\u00e9 son retour. Il ne s\u2019agit pas seulement d\u2019un ph\u00e9nom\u00e8ne m\u00e9t\u00e9orologique. C\u2019est une conscience culturelle partag\u00e9e.
Nous, les artistes de la ceinture de la mousson, venons de nombreux pays et de nombreuses traditions. Nos langues diff\u00e8rent. Nos dieux ont des visages diff\u00e9rents. Pourtant, nous partageons ce ciel.
L\u2019argile, elle aussi, est une cr\u00e9ature de l\u2019eau ; sans elle, elle est informe et inerte. Le potier qui travaille au tour comprend ce que le fermier sait en observant le ciel : tout d\u00e9pend de la bonne humidit\u00e9 au bon moment.
Plus de vingt-cinq artistes se rendent aujourd\u2019hui \u00e0 Jingdezhen, emportant avec eux des objets comme des t\u00e9moignages. Chaque pi\u00e8ce est une carte postale m\u00e9taphorique. Chaque carte postale est une forme d\u2019appartenance ; non pas \u00e0 une nation, mais \u00e0 une saison.<\/p>\r\n

Pr\u00e9sentant les \u0153uvres de Bhadoriya Ajaysingh, Bhatt Falguni, Cheong Thomas, Chowdhury Sarban, Chowdhury \u2060Srinia, Dalal \u2060Khanjan, Dam Shalini, Daroz Vinod, Das Gupta Sharbani, Gawand Pullarwar Neha, Hassan Muhammad, Huey Ling Teo, Jain Rashi, Jhunjhunwala \u2060Ruby, Jirachaisakul Mo, Khanna \u2060Anjani, Lim Jason, Lim Nelson, Lu Ken, Madhur Sen, Manchekar Sandeep, Salvi Shayonti, Semachai Chanakarn, Sereda Saraswati, Sinha Antra, Subhramanian Madhvi, Sudhikam Pim, Sundaravalli Sudharsan Priya, Writer Adil, Yu Nwe Soe<\/p>\r\n

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Jingdezhen Grand Bowl - Centre mondial d'art contemporain
Chine<\/p>\r\n[caption id=\"attachment_649\" align=\"alignnone\" width=\"1920\"]\"\" Signed, Smudged, Delivered par Adil Writer (2026)[\/caption]\r\n<\/td>\r\n<\/tr>\r\n

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LANCER DES BRIQUES POUR ATTIRER LE JADE - LA C\u00c9RAMIQUE DANS LE MONDE, DES MINIATURES AU PATRIMOINE CULTUREL DE L'UNESCO<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

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| 27.06.2026 - 02.07.2026 |<\/p>\r\n

Curateur : Guangzhen Zhou<\/p>\r\n

Cette exposition c\u00e9l\u00e8bre le patrimoine c\u00e9ramique \u00e0 l'\u00e9chelle mondiale, en r\u00e9unissant deux formes distinctes mais compl\u00e9mentaires de documentation culturelle. Elle s'articule autour d'un projet philat\u00e9lique extraordinaire men\u00e9 par un groupe h\u00e9t\u00e9rog\u00e8ne de membres de l'IAC : une proposition de collection \u00ab M\u00e9moire du monde \u00bb de l'UNESCO intitul\u00e9e \u00ab Timbres du patrimoine c\u00e9ramique mondial \u00bb. Ces archives, qui regroupent des milliers de timbres provenant de plus de 180 pays et r\u00e9gions, racontent l'histoire de la c\u00e9ramique \u00e0 travers l'art miniature du timbre-poste.<\/p>\r\n

Afin de donner vie \u00e0 ce r\u00e9cit en trois dimensions, nous avons associ\u00e9 ces timbres \u00e0 des pi\u00e8ces de c\u00e9ramique r\u00e9elles provenant de dix ou onze pays reconnus par l\u2019UNESCO pour leur patrimoine culturel immat\u00e9riel : le Chili, la Chine, le Mexique, le P\u00e9rou, le Portugal, l\u2019Espagne, la Tunisie, la Turquie, la Roumanie, l\u2019Ukraine et l\u2019Ouzb\u00e9kistan. Nous vous invitons \u00e0 explorer cette rencontre unique entre l\u2019art et l\u2019histoire, et \u00e0 vous joindre \u00e0 nous pour rendre hommage \u00e0 cet artisanat intemporel qui nous relie tous.<\/p>\r\n<\/td>\r\n

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Jingdezhen Grand Bowl - Centre mondial d'art contemporain
Chine<\/p>\r\n

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AM\u00c9RIQUE LATINE : TERRITOIRE ET C\u00c9RAMIQUE - MEMBRES D'AM\u00c9RIQUE LATINE ET DES CARA\u00cfBES DE L'AIC<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

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| 27.06.2026 - 02.07.2026 |<\/p>\r\n

L'Am\u00e9rique latine et les Cara\u00efbes proposent \u00e0 Jingdezhen une r\u00e9flexion sur la mani\u00e8re dont la g\u00e9ographie fa\u00e7onne profond\u00e9ment nos pratiques c\u00e9ramiques. Ce vaste territoire, fait de d\u00e9serts, de jungles, de cha\u00eenes de montagnes et de c\u00f4tes, d\u00e9finit non seulement les paysages, mais aussi les populations et leurs fa\u00e7ons d'habiter, de percevoir et de cr\u00e9er.<\/p>\r\n

Ces \u0153uvres sont le fruit d\u2019une relation intime avec leur environnement. Les argiles, les pigments et les min\u00e9raux, propres \u00e0 chaque territoire, d\u00e9terminent \u00e0 la fois les proc\u00e9d\u00e9s techniques et les choix formels. Ainsi, les surfaces, les couleurs, les formes et les structures \u00e9voquent la configuration g\u00e9ographique, la biodiversit\u00e9 et la puissance du paysage, o\u00f9 la nature agit comme un agent actif.<\/p>\r\n

\u00c0 cela s\u2019ajoute un riche patrimoine culturel : les traditions pr\u00e9hispaniques dialoguent avec les influences coloniales et contemporaines, donnant naissance \u00e0 des langages et des personnages hybrides. Chaque pays construit son identit\u00e9 \u00e0 travers cette convergence.<\/p>\r\n

L\u2019exposition propose un voyage \u00e0 travers cette diversit\u00e9 : une constellation de voix dans laquelle le territoire, la m\u00e9moire et la culture se transforment en mati\u00e8re et en r\u00e9cit.<\/p>\r\nPr\u00e9sentant les oeuvres d'Acosta Paula, Auger Fanny, Baertl Paola, Bortolin\u00a0 Rosana, Bravo B\u00e1rbara, Cervantes Roxana, C\u00e9spedes Sonia, Diehl Viviane, Dillon Ver\u00f3nica, Dychter\u00a0 Elizabeth, Garrett Karina, Le\u00f3n Patricia, Macher Karen, Mar\u00edn Tere, Martos Patricia, Maturana Pilar, Mu\u00f1oz Jacinto, Pollo Varela Mar\u00eda In\u00e9s, Rodr\u00edguez Marina, Ruiz-Tagle Keka, Ruz Viviana, Salinas Macarena, Schapiro Jacqueline, Spijkstra Ellen, Tarela\u00a0 Mariel, Torres Paloma, Valls Urquijo Estefan\u00eda, V\u00e9lez Puerta Jos\u00e9 Ignacio, Vial Catalina, Villaverde Vilma, Wieland\u00a0 Mariana, Wijnants Javier<\/td>\r\n

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Jingdezhen Grand Bowl - Centre mondial d'art contemporain
Chine<\/p>\r\n[caption id=\"attachment_90948\" align=\"alignnone\" width=\"1044\"]\"\" Evolution par Keka Ruiz Tagle (2019)[\/caption]\r\n<\/td>\r\n<\/tr>\r\n

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EXPOSITION \u00ab PERCER LA TERRE \u00bb<\/h3>\r\n<\/td>\r\n<\/tr>\r\n

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| 01.07.2026 - 31.10.2026 |<\/p>\r\n

Conservateur : Jiang Yanze<\/p>\r\n

L'exposition est organis\u00e9e conjointement par l'\u00c9cole d'architecture de l'Universit\u00e9 du Sud-Est (SEU) et le Centre d'art Wang'ou de Longquan. Elle prend pour point de d\u00e9part de r\u00e9flexion \u00ab l'argile \u00bb, mat\u00e9riau fondamental et indispensable \u00e0 notre existence. Elle pr\u00e9sente l'art c\u00e9ramique dans l'architecture, des sculptures et installations en c\u00e9ramique dans les espaces publics, ainsi que l'utilisation artistique des mat\u00e9riaux c\u00e9ramiques par les architectes et le charme unique de l'architecture en pis\u00e9, offrant ainsi un r\u00e9cit plus ample sur l'argile.<\/p>\r\n

L'exposition est divis\u00e9e en quatre sections. Les \u0153uvres expos\u00e9es comprennent des cr\u00e9ations c\u00e9ramiques, des \u00e9l\u00e9ments architecturaux en c\u00e9ramique, des archives photographiques et des vid\u00e9os, pr\u00e9sentant de mani\u00e8re syst\u00e9matique les recherches sur les mat\u00e9riaux argileux dans le contexte de l'art architectural et paysager, les exp\u00e9rimentations en techniques c\u00e9ramiques, les innovations en mati\u00e8re de conception et les cr\u00e9ations artistiques. Elle met en avant les efforts de collaboration entre artisans c\u00e9ramistes, artistes c\u00e9ramistes et architectes.<\/p>\r\n
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Pr\u00e9sentant les oeuvres d'un groupe d'\u00e9tudiants de la SEU, Bao Wei, Chen Guanghui, Guo Aihe, Guo Jiaqi, Huang Ke, Qu Jin, Tan Hongyu, Wei Hua, Xu Chaoqi, Yuan Zhen, Yue Lizhi, Zhang Min, Zhi Min, Zhu Legeng.<\/p>\r\n

Et Aylieff Felicity, Harrison Robert, Higby Wayne, Kaufmann Jacques, Kvasb\u00f8 Torbj\u00f8rn, Lislerud Ole, Mestre Estelles Enric, Munemi Yorigami, Seunghee Lee, Suffren Gilles.<\/p>\r\n<\/td>\r\n

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Galerie d'art Ceramic Art Valley de Longquan
Chine<\/p>\r\n[caption id=\"attachment_90783\" align=\"alignnone\" width=\"516\"]\"\" Ceramic Mural par Zhu Legeng[\/caption]\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n

\u200b<\/p>\r\n

\u200b<\/p>","_fr_post_name":"expositions-satellites-du-congres","_fr_post_excerpt":"Outre plusieurs expositions des membres de l'AIC, les organisateurs ont le plaisir de pr\u00e9senter des expositions de groupes r\u00e9gionales et th\u00e9matiques.","_fr_post_title":"Expositions satellites du Congr\u00e8s","_zh_post_content":"","_zh_post_name":"","_zh_post_excerpt":"","_zh_post_title":"","edit_language":"zh","footnotes":""},"class_list":["post-592","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/jingdezhen2026.aic-iac.org\/zh\/wp-json\/wp\/v2\/pages\/592","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jingdezhen2026.aic-iac.org\/zh\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jingdezhen2026.aic-iac.org\/zh\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jingdezhen2026.aic-iac.org\/zh\/wp-json\/wp\/v2\/users\/2192"}],"replies":[{"embeddable":true,"href":"https:\/\/jingdezhen2026.aic-iac.org\/zh\/wp-json\/wp\/v2\/comments?post=592"}],"version-history":[{"count":24,"href":"https:\/\/jingdezhen2026.aic-iac.org\/zh\/wp-json\/wp\/v2\/pages\/592\/revisions"}],"predecessor-version":[{"id":658,"href":"https:\/\/jingdezhen2026.aic-iac.org\/zh\/wp-json\/wp\/v2\/pages\/592\/revisions\/658"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jingdezhen2026.aic-iac.org\/zh\/wp-json\/wp\/v2\/media\/593"}],"wp:attachment":[{"href":"https:\/\/jingdezhen2026.aic-iac.org\/zh\/wp-json\/wp\/v2\/media?parent=592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}